by 
HerShe is a multi-talented artist blending hip-hop influence with bouncy bass music for an incredible signature style. Drawing from her beatboxing roots, her sound possesses a unique sense of rhythm and percussive mastery. She has been on fire as of late, boasting collaborations with Wrecko, Luhv, sfam, Runnit, TVBOO, and Smoakland, and is hot off her debut performance at Red Rocks for Zed Dead’s DEADROCKS. In the span of a month, she dropped ‘HIT MAKER,’ ‘Jiggle’ and ‘Don’ Talk’, going 3 for 3 and propelling her momentum to new heights. Needless to say, it’s probably overdue for HerShe to join us for a Guest Mix + Interview.
The mix is 30 minutes of bass-heavy goodness featuring some unreleased gems, her own originals and edits, plus music from Moore Kismet, LYNY, Sully, Zeke Beats, and more! As for the interview, we explore her progression as an artist, what’s behind her social media success, talk about career milestones, mixing and mastering, and much more.
Where are you taking us with this mix? What should we expect when we press play?
This mix is a little chaotic (in the best way). I’m hittin ya with personality, movement, a lotta low end, and some fun IDs.
Tell us a little bit about your artistic journey. How did you go from beatboxer to DJ and producer?
I started beatboxing when I was 11, djing at 14, mostly messing around at home. I would take my first vinyl of A Tribe Called Quest’s “Midnight Marauders” and mimic the scratches back and forth. I always was playing with production too shortly after then and have been learning ever since. Each phase just built off the last. A happy marriage between all of em.
How do your talents as a beatboxer inform the way you approach production?
They’re totally connected. Sometimes I’ll literally beatbox a drop or a melody into my phone and build from that. It helps with rhythm, flow, and sound design. And a lot of my sounds like snares, risers, fills, are either sampled from my voice or inspired by how I’d vocalize them live.
I had to just stop mid set and take it in. It’s been on my bucket list forever.
Music has taken you to some pretty awesome places. What’s the best place you’ve been able to experience through music?
Red Rocks. No contest. The view, the people, the sound, everything about it felt surreal. I had to just stop mid-set and take it in. It’s been on my bucket list forever.
Any particular moments that stood out from the performance?
It was hot as hell, but I couldn’t stop smiling. I beatboxed live into ‘HIT MAKER’ and when the drop hit, the crowd screamed. That moment lives rent-free in my head. I’ll never forget it.
The world is always moving and ya gotta flow with it, without losing yourself.
You’ve been killing it on social media! What do you see as your keys to success on social media?
Every time someone says that, I really don’t see it. I’m not where I want to be, but I’ve gotten this far because I’ve been blessed with being different. No gimmicks, just showing people who I am. I stopped worrying about the algorithm and just focused on making stuff that felt like me. I still experiment, there is no one-stop shop answer to socials. You just have to be open to defeats and accept adaptability. The world is always moving and ya gotta flow with it, without losing yourself.
Do you have any advice for artists looking to improve their social media presence?
Pretend it’s a FaceTime call. Don’t wait until everything’s “perfect.” Post your process. Post your fails. Talk like a human, not a brand. And don’t try to be someone else, it’s obvious when you’re not being yourself. Your people will find you when you show up as you. I gotta be better at this too, I’m a bit of a perfectionist myself, and it holds me back in that aspect.
What do you view as your most important achievement as an artist?
I think carving out a lane that actually reflects all of me. Beatboxer, Producer, Performer. I don’t have to hide any of it. Building that space in bass music means more than any single milestone.
What makes you happy?
When close friends of mine really enjoy something I create, watching people dance, spending time with fam and friends, watching my friends grow to where they wanna be, GOOD FOOOOD.
I saw that you mix and master your own music. It can be a struggle for a lot of artists. Are there any game-changing tips that helped you level up in this area?
Impatience hahah. It’s hard to wait and rely on other people, my ear is picky and I realized that this was something I had to learn myself. So lots of asking friends questions, tutorials, and trial and error. For me, the mix is 95% of it, the master is much more simple, I never rely on the master to fix anything, just adding some extra color, cleanliness, and a tad of volume. And always be open to learning more!
What are you listening to on steady rotation right now?
The Payser test 2 mix on SoundCloud. Trust.
What should we expect from you for the rest of the year?
More tunes, more shows, more experimenting!
Protect your energy, your voice is valid as hell. And if you need a sign to keep going, this is it!!!
Any final words?
Protect your energy, your voice is valid as hell. And if you need a sign to keep going, this is it!!!
HerShe FUXWITHIT Guest Mix Tracklist
HIT MAKER – HerShe
bla bla bla – notminimal.
Damager (Sully Flip) – Sammy Virji, Interplanetary Criminal
Raw – MPH
HOW 2 BUILD A BETTER BOY – Moore Kismet
Man Dont Care – Cee4
you better take this! – HerShe & Seth David
Hype Funk – Volume Unit
Get Haunted – Bizo
TURN ME UP (SHOGUN KNIGHTS RMX – Tisoki
SANDSTORM (KILLSAFARI REMIX) – Darude
Light Up – EPTIC x LYNY
ID – HerShe x Roto
Innocence 2025 (lysrgix flip) – Nero, Taiki Nulight
DOPE1 – Syzy x Olswel
CROWD GO – FRAXURE
HIT IT – Zeke Beats
Pop, Lock & Drop It – Huey
white tee breed (verse edit)
LYNY – Noxious (Anskii x HerShe’s Super obNOXIOUS Edit)
LYNY – NOXIOUS (SVMMIE FLIP)
ID – TVBOO x HerShe
SUPERMASSIVE – Super Future, SuperAve.
WE WANT IT WEIRD – Xotix
